Friday, 17 April 2026

A single boy - a postcard from Odisha.


When I arrived in Raghurajpur, the dancers were already applying make-up in preparation for their performance. All four were dressed in silk saris and traditional jewellery, including a tiara-like item, known as a mukut. Nothing unusual perhaps, except that three of the four dancers were male and just one a teenage girl. I was warmly welcomed and told to take as many pictures as I wanted.

Gotipua is a traditional Odissi dance performed by boys. The term itself comes from the Odia words, goti, (meaning single) and pua (meaning boy). Previously, female temple dancers known as maharanis or devadasis, performed these dances. During the colonial period, the collapse of old social systems and the decline of royal patronage caused the deterioration and eventual criminalisation of the devadasi system, which had seen young girls married to temple deities and working as temple servants.


“We have toured in Europe and even performed at the Royal Festival Hall in London, but the covid period caused many problems. Despite this, we are devoted to preserving our dance and culture,” said Sri Laxman Maharaja, leader of the troupe and accomplished dancer and musician. His sons and grandchildren also perform and together with students drawn from surrounding villages, keep Gotipua alive. Many of the fifty-five students currently studying under him come from less well-off families. They train every day, first in the early morning before school, and then again in the evening. They also receive food and accommodation - an important, practical help for those from poorer families.

Two of the boys, aged ten and thirteen, began talking to me in a mixture of Hindi and English. Their own language is Odia, but both learn Hindi at school and the older boy was also studying English. They asked me about my work. I showed them one of my books, they examined it closely, commenting and asking questions: “Where is Cuba?”, “These women in Myanmar look like the tribal people in Odisha”, and, in response to a picture of a Kolkata chaiwalla - “Do you like chai?” I confirmed that I most definitely do like chai and a few moments later a cupful was produced for me.

As their preparation continued, they helped each other tie their long hair into elaborate knots, completed aspects of each other’s make-up and checked each other’s clothes. Once ready, they made their way to a raised open-air platform where the guru and his two older sons waited cross-legged, instruments ready.

They performed three dances combining vigorous, tandava (masculine) elements,  and more graceful lasya (feminine) movements and poses. They also sang while performing, the guru beating time to the music. Afterwards, I was invited to the family home where some of the students also live and where there is a small rehearsal hall on the first floor. At the rear of the house, the family maintains a gaushala, a shelter for fourteen cows. The obligatory and very welcome chai, served soon after my arrival, was made with milk from the same animals.


You might also like Beads of the Bonda or Holy Food - both in the Postcard from Odisha series

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Friday, 10 April 2026

Unfiltered - A postcard from Odisha

Almost everything is sold in the weekly market in Chatikona – fruit, vegetables, dried fish, clothes, electrical goods, haircuts, financial services, and dark, thick-veined, air-dried tobacco leaves. Locals buy the leaves either to chew, or to make into large homemade cigarettes or cheroots, which can be five to eight inches in length. These cheroots are called a sutta in the Chatikona area or a pikka in other parts of Odisha and in neighbouring Andhra Pradesh.

The pungent, earthy, aroma drew me to a tobacco vendor’s stall, where a group of women sat on the floor, preparing the leaves they had purchased. Some were already smoking and after taking a few drags, put the lit end  of the sutta into their mouths to extinguish it, before placing it behind an ear, in their hair or clothing to return to later. 


Ponala was one of the group and was about to smoke. Her nose rings identified her as a member of the Desia Kondh community, part of the wider Kondh group of the tribes of Odisha. They live mainly on the lowlands and foothills, undertake settled farming and of all the Kondh, are the group whose lifestyles are closest to that of their non-tribal neighbours. Many now follow Hinduism or Christianity, or combine one of these with their traditional animist beliefs.


Ponala agreed to be photographed smoking her sutta.  She untied her matches from the corner of her sari-like clothing, lit-up, took an initial drag  and then continued to inhale and exhale, the smoke drifting upwards partially concealing her face. As she showed no sign of wanting to move on, I continued working with the camera, capturing dozens of images and recording the whole process from start to finish. A little group of her friends came over, intrigued, and began to call out encouragement in the local language as well as: “chalo!” (let’s go!) in Hindi. 


When she had finished, I asked her age. She shrugged, raised her hands and said “no idea,” before letting out a smoker’s laugh and heading back to the tobacco stall.


 






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Friday, 3 April 2026

Beads of the Bonda - A postcard from Odisha.

 


“I don’t feel well, so I’m not drinking today,” said Adi, one of a group of Bonda tribeswomen who had agreed to participate in a short photo shoot at the weekly market in Onukudelli, Odisha.

The Bonda women are immediately recognisable. Only partially dressed, they wear a ringa – a short piece of cloth around their waists, while their torsos are covered in a string of colourful beads, as are their shaved heads. Around their necks hang heavy bead necklaces and aluminium bands called khagla and their arms are lined with bangles. When leaving their villages, some of the women wear simple dresses or wrap themselves in a piece of blue cloth for modesty.


The reason for this unique appearance is found in the Hindu epic, the Ramayana. Some Bonda women are said to have mocked the goddess Sita as she was bathing.  Enraged, she cursed them to eternal nakedness and to giving up their hair. When they pleaded for forgiveness, she softened and conceded the waist cloth and beaded jewellery. 



 

The Bonda are one of the oldest and most culturally distinctive tribal communities in India. They live mainly in hilly areas near Lamptaput and in the Malkangiri district of Odisha. They are believed to have come from Africa, possibly as long ago as 60,000 years. Bonda society is matriarchal, and women dominate and are responsible for the tribe’s economic activity. They are also, in all senses, the senior partner in marriage, taking a boy five to ten years younger as a partner. It is then the woman's role to raise him, and his to look after her when she is older. 


They practise shifting cultivation, growing paddy, millets and maize as well as gathering forest produce. The Bonda men are known for being skilled marksmen and in the past would visit markets carrying bows and arrows. The women make small items of jewellery, decorative items and some textile items which they offer for sale at Onukudelli. 

 

There are perhaps only 25,000 Bonda in total. Life expectancy is low, and the tribe has been identified as being at risk of extinction. Their unique culture and way of life is also threatened by de-forestation, economic poverty and pressure to assimilate into the Odia language. Several of the tribal communities, including the Bonda, are known to consume significant amount of desi (country) alcohol. At the Onukudelli market, numerous vendors sell mahua, a spirit made from the fermented, sun-dried flowers of the tree of the same name. This mildly sweet alcohol was banned by the British in 1892, but several states have since legalised it and there is even a bottled, premium band nowadays. 


Except for Adi, the women involved in the photoshoot drank throughout the time we spent together – some of them from glasses and some from the dried gourd seen in the photograph above. 






Friday, 27 March 2026

Holy food - A postcard from Odisha.



Bhubaneshwar’s Ananta Vasudeva Hindu Temple, built in the 13th century, is unique in that it is the only one in the old town that is dedicated to Lord Vishnu. Like many Hindu temples, it provides a range of services, including the preparation and distribution of food known as prasad or in Odisha, abdaha. It is the same food served at the Puri Jagannath Temple.

 

Every day, hundreds of male workers are involved in the delivery, preparation, cooking and then sale of the food. They are drawn from families who have fulfilled these roles for generations and live in the vicinity of the temple. The abdaha is cooked in the temple kitchens and placed in clay pots before it is first offered to the gods and then served at nominal cost to devotees in the adjacent Bhaga Bazar. 

 

All the food is fully vegetarian and is also made without onions, garlic, potatoes and tomatoes which are not considered Indian in origin. Dishes include kanika, a sweet fragrant rice, yellow in colour and flavoured with clove, cinnamon and clarified ghee. Dalma is a slow cooked lentil and vegetable stew made with very little oil and besara is made with mustard paste, fresh grated coconut and assorted vegetables with a spice mix and a fried crunchy coconut topping. Sweet dishes are also prepared. Everything is served on banana leaves.  



 

The workers carry the clay pots, either singly on their shoulders, or with several loaded into large baskets and carried on their heads. Everything is transported at great speed as the workers move between different parts of the temple, from delivery point, to kitchen, to the offering to the deities and then to the place of consumption. This labour begins early in the morning and goes on until the food is served between 12.30 and 2pm daily. Amongst those eating are numerous priests, many of whom will have earlier carried out rituals beside the water tank opposite the temple, to mark the death anniversaries of relatives or for other purposes. Hindus come to them with offerings and to be guided through the appropriate pooja (prayers). Some pay for the priests to eat at the temple afterwards.


It is forbidden for outsiders to touch the food during preparation, or to enter the kitchens. If these stipulations are contravened, or if food is spilt, it will be considered contaminated and disposed of. Arrangements can be made for delivery to other locations and small vehicles line the road, ready to fulfil this purpose.



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